Sunday, June 4, 2017

________________________ JO HARDY, ARTIST _________________________

I first met Jo Hardy in 1971 when we were both in the same art class at Christchurch Teachers College. She was obviously a talented artist and it wasn't long before she left the college and enrolled at Ilam School of Arts. Our paths crossed from time to time over the years as she also moved to Northland in the 1970s. I remember her well in Quinten Macfarlanes classes sitting painting her canvases on the floor. I smiled when I found a photograph (below) of her in her late years painting on her knees. Today we viewed her retrospective exhibition at the Whangarei Art Museum.

Jo was a quirky and very original personality with a touch of the iconoclast about her. I remember her telling me jokingly once at training college that she would love to become a school principal for one sole reason. She thought it would be interesting to ride to school each day on a Norton Commando 750cc motorbike dressed in a long black coat, completing the journey outside her office each day with a long smokey burnout. Instead she became a fine and prolific painter. I attended a few of her exhibitions over the years and they were always sellouts. I always found her paintings full of symbol and metaphor combined in both personal and universal themes that were often confronting, political, perplexing, humourous, never boring and always painted with lush colour and fine technical skill. 

Jo wrote opinion pieces for the local newspaper 'The Northern Advocate' from time to time. It would be interesting and humourous to read her own review of her own retrospective exhibition (which I am sure she has already written - or painted a picture about!) when we meet again.

" Whangarei Art Museum – Te Manawa Toi is honoured to present NOT NOW APOLCALYPSE: Jo Hardy Retrospective from the 29th of May – 20th August 2017.

Hardy attended Ilam School of Arts and spent several years exhibiting in Christchurch, she then moved to Northland in the late 70s where she continued to paint more than 600 paintings. Hardy also fell in love, married, became a mother, a gardener, a writer, a member of a rural community and, in 2003, was widowed.

Hardy underlined a freedom of consciousness; borrowing aspects of reality and using them as metaphors in a parallel painted universe. She believed we each invent reality as we go along; painting is one of the ways to do it.

“I am interested in portraying both what is and what is not. My pictures are a deliberate record-keeping of fleeting minutiae, memories, dreams, attempts to depict that which has no fixed visual form and narrative fiction.” – Jo Hardy, 1998.

Hardy’s paintings are lyrical narrative works painted with acrylic on canvas. She worked on her knees on the floor, as if at prayer. Slowly, with care and precision, she built up thin wet layers of coloured washes, tickling them up until they glow.

Before Hardy passed away from cancer in late July 2016, she gave her blessing to the Whangarei Art Museum to curate and develop her retrospective exhibition bringing 50 years of art making together in one space. Her retrospective includes a large selection paintings as well as some exquisite lithographs that were produced in the 80s and 90s at Te Kowhai Print Trust – a community printmaking facility based at the Quarry Arts Centre in Whangarei. "

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